The Moon is Wet is a 3-channel video installation that centres migrant histories in Singapore, which possesses a techno-nature that blurs the lines between artifice and the real. Through the three characters of the sea goddess Mazu, a Majie, and a contemporary domestic worker, the work looks at the fictions that the city-state has told itself, the unspoken that lies beneath, and the desires that surge through.
Supported by Deutsche Bank Arts and Culture